Considering making the picture toss and turn, offers

Considering the movie To Kill a Mockingbird, one can claim that this piece, though rather old and deprived of special effects so popular in the modern cinematography is still a perfect specimen of how a good movie must be shot. It is quite peculiar that, despite the black-and-white cast of colors, the movie benefits due to the camera movement. For instance, in the piece where Scout rides the tire, the camera moving sides, making the picture toss and turn, offers the audience a ride together with Scout.

Speaking of the movements which convey the essence of the film without any speech “intrusion”, it would be a good idea to drive the example of Boo Radley standing in the darker corner of the room and watching Jem lie unconscious. As Scout takes him by the hand, the way he moves describes him better than any words can – it is really weird to see how a grown-up man, rather big, walks so awkward and uncertain. As the plot of the movie unwinds, one can trace the pattern of the shots length.

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Most of them rather lengthy, they allow the audience to understand each of the movie characters better, making each of them individual. Thought the use of the high- and low-angle shots in the movie is minimized, most of the shots being taken at the eye level, the movie scenes look even more impressive with the rare low shots taken. Thus, the low shot of Jem hiding in his tree house and Atticus watching him from beneath looks most hilarious. Considering the composition, it is important to mark that the most crucial scenes in the movie are structured according to the rule of thirds.

A perfect example of such scene is the shot of Dill and Jem approaching the house where Boo Radley lived: in the given scene, the porch of the house serves as a foreground, with the boys in the center of the composition, their emotions clearly seen even through the dark of the night, and the bushes where Scout was left behind as the background of the shot. It is quite peculiar that the camera movement in each scene is used to enhance the effect of the acting. Sometimes swift and almost chaotic, sometimes slow and making time stop, the camera emphasizes the strain within the plot and makes the emotions of the characters and the situations in the movie as natural as they can be. For example, the way the camera swings in the scene where Atticus, Scout, Jem and Walter Cunningham are having dinner makes the dialogue livelier and more natural. In terms of cinematography alone, one can notice that the movie skips certain pieces of the novel.

On the one hand, this could be an attempt to make the film more vivid; yet on the other hand it seems that the intention of the screenwriter was to create the right impression of the lead characters. This can explain why the scene of Jem and Scout destroying Mrs. Dubose camellia garden, in which the two children act like real savages.

Unique and inspiring, To Kill a Mockingbird will always remain a perfect example of what a really good movie is. In spite of the fact that it was shot in the distant 1946, it still has a lot to be astound of, including the shooting techniques as well. It was both the perfect acting and the amazing technique which led the film to the top of cinematographic art.

Jem Jem knows that if he were locked

Jem Grows UpTo Kill A Mockingbird, by Harper Lee, has won many prestigious awards and is still a very classic and appreciated book in our society today. Jem, a character in the book, grows up and realizes that you have to step in someone else’s shoes to understand why they make the decisions that they make. Once Jem saw that the knot-hole in the tree was filled with cement he started crying because he stepped into Boo Radley’s shoes. Also, When Jem learned that Mrs. Dubose had died, he stepped into her shoes and then felt sorry for her. One way that shows that Jem grows up and realizes that he has to step in someone else’s shoes to understand why they make the decisions that they make is when he discovers that Nathan Radley filled the knot-hole in the tree with cement. He told Jem that he filled the tree with cement due to the fact that the tree was dying, when it was obviously not.

Boo was communicating with them by placing gifts in the knot-hole. Jem steps into Boo’s shoes at that point and figures out that all Boo was trying to do was communicate with the children, and putting gifts in the knot-hole was the only way he knew how to without getting a lot of attention from the public. Jem knows that if he were locked up in his own house for that long, he would try to communicate and have a little fun with children that he sees playing around in the neighborhood. That is why he cries; he knows that Boo is just trying to be nice and communicate with them, and he just doesn’t understand why Nathan Radley would cut that communication between his brother and the children Another way that shows that Jem grows up and realizes that he has to step in someone else’s shoes to understand why they make the decisions that they make is when he learned that Mrs. Dubose had died. When he was reading to Mrs. Dubose, he hated it, and he hated her for making him do it for so long.

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Once he learned that Mrs. Dubose was a morphine addict, and that her fits were from it, he ate all of his bad comments about her. He stepped into her shoes and saw everything from her perspective. He knew that if he were in her position, he would have probably done the same thing.

That is why he asks, “Did she die free”; he felt sorry for her, and was expressing his condolences with that question. Even though he knew that she was dead he still asks that because he felt bad for her. He thought that she was a, “Old Hell-Devil!”, but once he learned that she was dying, and that the fits were from the morphine, he felt real bad for calling her all of those names.Jem grows up and realizes that you have to step in someone else’s shoes to understand why they make the decisions that they make. He is able to step into other people’s shoes simply because he is older. He looks deeper into issues and can interpret them better.

By doing this, he sees people’s perspectives and this is why he eventually agrees with their actions. He is older, and that has made it so that he has had more experience in working with and understanding this rather simple process. Like people say, “With age, comes wisdom”. All Jem really had to do to eliminate conflicts with people was pretend he is them; he stepped into their shoes and saw things from there perspective. Then he understood why they made the choices they made.

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